Prints and Drawings auctions
Oil on wood panel, 23 x 17 cm in a wooden gilt frame, 34 x 28 cm;signed p.d. "GAppert" Georges Appert was a French painter during the heyday of La Belle Epoque. He specialized in historical painting with an academic approach to painting technique. He painted mainly genre scenes with special attention to military figures. Very often, he used wooden panels of the same or similar dimensions to th...
Giclee, heavy museum paper, 31 x 31 cm in light passe-partout, 52 x 52 cm in framed passe -partout. The work was made in "Klimt Villa Wien" (Gustav Klimt's last studio, Vienna) confirmed by the stamp under the composition. Provenance - the work comes from a private collection, never exhibited, stored in special conditions suitable for prints (printmaking cabinet). Gustav Klimt - Austrian pain...
Color woodcut, paper; dimensions: 376 x 258 mm; signature: Gototei Kunisada ga (used until 1844) and censor stamp kiwame. State of preservation: former fold at p. g. corner; vivid, intense colors.Utagawa Kunisada (1786-1865) Also known as Toyokuni III - One of the most popular and prolific Japanese artists of the 19th century. Kunisada was financially successful as a creator of woodcuts in the...
Etching, watercolor, paper, 39 x 29 cm; signed in pencil p.d.: "Otto Goetze". Good condition. The artist, a native of Leipzig, studied there and in Munich. He created mainly prints and was active in Berlin. Very rare print, not listed at auctions or in antique shops' offers since the beginning of the 21st century.
Offset lithograph, heavy satin paper 82 x 63 cm (in frame), Published by the Neues Publishing Company, New York. Printing authorized by the "Andy Warhol Foundation for The Visual Arts". Warhol was one of the leading exponents of Pop Art, an art movement that celebrated popular culture and mass production. His portraits of Marilyn Monroe are one of the most iconic examples of this movement and ...
Color woodcut, paper; dimension: 375 x 255 mm; signature: Kunisada ga in Toshidama cartouche oval date stamp: 4th month of the Year of the Horse, i.e., 4th month of 1858.Utagawa Kunisada (1786-1865) Also known as Toyokuni III - One of the most popular and prolific Japanese artists of the 19th century. Kunisada was financially successful as a creator of woodcuts in the ukiyo-e style. He created...
Color woodcut, paper; size: 375 x 270 mm; signature: Shunkōsai Hokushū State of preservation: overstaining of left and lower margins; paper rubbing in upper margin. Artist active in Osaka from 1802 to 1832, also known as Shunko IV.
Color woodcut, paper, 23x34, artist's signature, publisher's mark and sculptor and printer's mark in the margin The area around Suzuka Pass was famous for its rainy weather, as well as its production of wood and green tea. On a rainy spring day, a procession of daimyo crosses a bridge built over the Tamura River, near Tsuchiyama Station. Long, feathered, decorative spears are protected by clot...
MĘKICKI Rudolf (1887 - 1942 Lviv) - Coat of arms of the City of Lviv with the Cross of Virtuti Militari. Design from 1933, analogous to the reprod. in K. Sochaniewicz's book "The Coat of Arms of the City of Lviv" from 1933. "Coat of arms of the city of Lviv" from 1933. Ink, paper. Dimensions arc. 29.5 x 27.8 cm. Inscribed in pen l. d. "Coat of arms of the king. stool. m. Lviv. 1933" and signe...
computer graphics, canvas, strict representation: 50 x 60 cm, dimension with frame: 57 x 67 cm print from digital matrix of the Author (22MB)on specially prepared canvas, stretched on stretcher bars; the work signed by the artist's own hand on the reverse; print comes from the collection of Zygmunt Korus, a friend of Z. Beksinski (journalist, art critic, organizer of exhibitions, open-air even...
Color woodcut, paper, 23x34 cm, artist's signature, publisher's and carver's and printer's markings in the margin Leaving Yui Station, Tokaido travelers had to pass through Satta Pass, famous for its steep slope. The narrow mountain pass carved into a steep cliff was dangerous, as there were times when some people were swallowed up by sudden high waves. Although it was one of the most dangerou...
Copperplate, paper, 35.5 x 68.5 cm. Several small margin tears long since glued, one tear entering the drawing, old brown spots in the margin. Good condition. One of the most famous Renaissance prints concerning witches and magic. Reproduced many times in books and scholarly articles, including in Poland. Only a dozen pieces survived in the world's largest museums. Among others, the British Mu...
autolithography, paper; 12.5 x 12.5 cm (in light of passe-partout), 25x25 cm; Signed on panel p. d.: WH (tied monogram). Autolithograph personally made by the author in the Department of Artistic Lithography of Aureliusz Pruszyński, Krakow, 17 Pijarska Street, in 1928 on the occasion of 25 years of the artist's creative work. Aureliusz Pruszyński (1847 Kasinka Mała pov. Limanowa - 1904 Kra...
Lithograph, high-grain velin paper 47 x 64 cm in light passe - partout size 62 x 79 cm, signed on the plate p.d.: "EGON SCHIELE 1918", made in the workshop of Marinoni-Voirin in Paris in an unnumbered edition of 200 pieces. Certificate of authenticity. Egon Schiele (born June 12, 1890 in Tulln an der Donau, died October 31, 1918 in Vienna) - Austrian painter and printmaker. He developed an ind...
Color woodcut, paper, 23x34, artist's signature, publisher's and sculptor's and printer's markings in the margin Kameyama and Kanbara are the only snow scenes in the series and both deserve special attention. Kanbara is shown at night, during a snowstorm, while Kameyama shows a bright, serene day after a snowfall. Here we see a procession of people slowly climbing a steep path up the mountain....
woodcut, paper, 22 x 14 cm Size: 22 x 14 cm clear passe-partout, woodcut, paper, signed on board with bound monogram p.d. JM and date. 1866 and by the xylographer l.d.J. Styfi. The graphic comes from the "Album of Jan Matejko" published in 1876 by S. Leventhal. Drawings on woodcut plates were personally made by Jan Matejko, engraved by the most outstanding wood engravers of the time. Salomon (...
color heliogravure, heavyweight velin paper, 31 x 23 cm (plate imprint), framed in passe - partout 47 x 37 cm, numbered in pencil 152/300 signed from plate under composition "Manet", dry publisher's stamp l. d.: letter K surrounded by the words "EDITION LIMITED CERTIFIED ARTS USA EUROPE SINCE 1998". Original publisher's certificate attached. In May 1888, Vincent van Gogh planned a trip to the ...
Color woodcut, paper; sheet dimensions: 242 x 251 mm; signature: Kogyo and artist's stamp. publisher Matsuki Heikichi. Printed during the artist's lifetime.Lit: R. Schaap, J. Th. Rimer, The Beauty of Silence, Japanese No & Nature Prints by Tsukioka Kogyo, Hotei Publ. 2010, item 102 (ill.)
Color woodcut, paper, 23x34 cm, artist's signature, publisher's and sculptor's and printer's markings in the margin The view of Mount Fuji from a place called Hara (literally "field") is virtually unobstructed. The majestic height of the mountain is emphasized by the peak protruding beyond the frame of the woodcut. The group of travelers in the foreground appear to be impressed by the breathta...
Dimensions in frame: 53 cm x 43 cm. Condition shown in the photos.
mixed technique (corundum splatter, aquatint), paper, 100 x 70 cm, 2/40, signed p.d.: ALBińczycka, 2025 + dry-eraseBorn in 1984. Graduated from the Faculty of Art at the University of Rzeszow, majoring in Art Education in Fine Arts, specialization: printmaking (intaglio). Diploma with distinction in 2008 in the studio of Prof. Włodzimierz Kotkowski. Scholarship holder of the Tadeusz Kulisiew...
autolithography, paper, 24 x 33 cm, dated title on plate and signed in pencil by the author under the composition. Edition of 300 copies. Warsaw 1945. Autolithography - lithograph, created by the author - graphic artist directly on the lithographic stone. In the 19th century there were many lithographic workshops where drawings created by artists were transferred by hand by artisan-lithographe...
Color woodcut, paper, 23x34 cm, artist's signature, publisher's and sculptor's and printer's markings in the margin Fujisawa was a bustling postal and temple town. In the foreground, a torii gate leads to Benten Temple on Enoshima. The station is crowded with travelers and pilgrims visiting famous religious sites, including a group of four blind men approaching the gate. People on the bridge c...
17.9 x 21.7cm - pencil, paper Sketch for the painting ASTRONOM KOPERNIK, CZYLI ROZMOWA Z BOGIEM, ca. 1871 Signed p.d.: J.M. [tied monogram]. On the so-called "back" sticker of an auction house in Warsaw; p.d. sticker with printed information about the drawing. An exhibition of drawings and sketches by Jan Matejko at the National Museum in Warsaw in 1938 featured two sketches entitled Copernicu...
Color woodcut, paper, 23x34 cm, artist's signature, publisher's and sculptor's and printer's markings in the margin The next station is Oiso. On the right side of the frame we see Mount Koma, which appeared at the previous station Hiratsuka. Many sections of the Tokaido road ran along the seashore and were constantly exposed to strong, salty winds. In such an environment, most trees are damage...
Color woodcut, paper, 23x34 cm, artist's signature, publisher's and sculptor's and printer's markings in the margin Odawara was one of the largest stations on the route. To reach it, people had to cross the Sakawa River. In the Tokugawa era, the construction of bridges over many wide rivers was forbidden, so people had to rely on porters to help them cross the river. The scene shows travelers ...
Lithograph, paper, 37 x 25 cm in light passe-partout, signed and described on the board: Mitoraj 95/500; framed print (framed size 34 cm x 49 cm)
"Mechanofaktura" edition 1 of 1963, silkscreen on heavy paper, son: in p.d: "H.Berlewi"(pencil), 22 x 22 cm.in św.p-p.Framed work.Screenprints developed by Erika Olsen under the supervision of the artist, only a few pieces were signed exclusively for associates and owners of the press. Berlewi formulated an innovative theory of mechanofacture in 1923. Its basic principle was the rejection of...
Giclee on canvas, 90 x 90 cm Protected with matte varnish and stretched on a pine painting loom. Signed and dated on the reverse: Andrychowski
Color woodcut, paper; dimensions: 345 x 65 mm; signed: Eisen ga and publisher's stamp: Fujiokaya Keijiro (active 1847-52).Graphic on entire composition glued with gray paper on back. Keisai Eisen (1790-1848) son of the calligrapher Shigeharu. He lived in Edo. He initially studied painting of the Kanō school, later ukiyo-e under Kikukawa Eizan. The subjects of his works were mainly beautiful w...
![[Parchment] Rembrandt van RIJN (1606-1669), Self-Portrait, 1893](https://img1.one.bid/img/8857/2673350_1w.webp)
Etching, parchment, 67 x 51 cm; signed on the plate l.d.: "G.Pelicier 1893" and the same below in pencil and p.d. on the plate: "Rembrandt 1640". Wrinkling of parchment typical of leather without detriment to the artistic reception of the work. Large format print, reflected on parchment which happens in prints once in many thousands of pieces. The artist Georges - Louis Pelicier (born 1858) ad...
Etching, paper, 26 x 19.5 cm; signed p.d.: "L.B" and in pencil: "Lewis Baumer". Good condition. The artist studied at the Royal Academy of Arts in London. He was a painter and printmaker. This print has not been at foreign auctions in the last 25 years and no gallery owned it. Antiquarian bookstores did not have it on offer. Also museums do not list it. Probably the print run was very low or t...
Color woodcut, paper; dimension: 362 x 257 mm; signature: Gototei Kunisada ga (used until 1844) and kiwame censor stamp (used until 1845). Publisher: Matsumuraya Yahei (stamp above lower right corner). State of preservation: overstamping of lower margin, paper lining of lower left corner.Utagawa Kunisada (1786-1865) Also known as Toyokuni III - One of the most popular and prolific Japanese art...
Giclée on canvas with added elements painted in acrylic, 70 x 70 cm, number 1/50. Signature on front
Offset, paper, 57 x 48 cm (sheet) Signature original handwritten author's signature
"Mechanofaktura" edition 1 of 1963, silkscreen on heavy paper, son: in p.d: "H.Berlewi"(in pencil), 22 x 22 cm.in św.p-p.Framed work.Screenprints developed by Erika Olsen under the supervision of the artist, only a few pieces were signed exclusively for collaborators and owners of the press. Berlewi formulated the innovative theory of mechanofaktura in 1923. Its basic principle was the reject...
color heliogravure, heavy vellum paper, 37 x 45 cm (plate imprint visible); numbered in pencil 34/300, signed from plate under composition facsimile of Kandinsky's signature; publisher's dry stamp l. d. : letter K surrounded by the words "EDITION LIMITED CERTIFIED ARTS USA EUROPE SINCE 1998". original certificate. Vassily Kandinsky's painting titled "Study of Color" (German: Farbige Studien), ...
Giclee, canvas, 50 x 50 cm, 2/100 Signed on front
inkography, paper, 22 cm × 16 cm (print size), 30 cm x 20 cm (sheet size); limited edition of 20 pieces; work signed and numbered at bottom, in pencil, p.d.: signature of the artist, l.d.: piece designation - II/XX, l.d.: artist's dry stamp (embossed inscription) - Olbiński
color heliogravure, heavyweight velin paper, 31 x 23 cm (plate imprint), framed in passe - partout 47 x 37 cm, numbered by hand in pencil 3/300, signed from plate under composition "Renoir", dry publisher's stamp l. d.: letter K surrounded by the words "EDITION LIMITED CERTIFIED ARTS USA EUROPE SINCE 1998". Attached is the original publisher's certificate issued and signed by Arte K confirming...
Color lithograph, high-grain veline paper 50 x 39 cm passe-partout, 70 x 55 cm passe-partout framed, limited edition, numbered in pencil 37/250, signed under composition facsimile signature "Vincent van Gogh" p.d.; publisher's dry stamp: S.P.A.D.E.M. PARIS l.d. ( S.P.A.D.E.M. - the French equivalent of the Polish ZAIKS); "verification of authenticity" hologram on the reverse. Original certific...
Color woodcut, paper, 23x34 cm, artist's signature, publisher's and carver's and printer's markings in the margin Hakone is the highest, and considered the most dangerous, station on the Tokaido Road. The Hakone Pass, although it offered magnificent views, was a very difficult mountain route for travelers. From the pass, one could see the clear waters of Lake Ashi, the peak of Mount Fuji and t...
Color woodcut, paper; size: 385 x 255 mm; signed: Shunko ga State of preservation: overstretching of margins (especially lower and right margins); slight rubbing of paper at upper margin.Artist active in Osaka from 1802 to 1832, also known as Shunko IV.
![[Vilnius, artist of the Stanislaus era] Franciszek SMUGLEWICZ (1745-1807), Resurrection of Lazarus, last quarter of the 18th century.](https://img1.one.bid/img/8857/2673356_1w.webp)
Pen, sepia, paper, 21 x 17.5 cm; signed p.d.: "F.S.". Reinforcement of one edge with old paper. Good condition. Signature consistent with the handwriting on Smuglewicz's other works. The artist was a pupil of painter Szymon Czechowicz, received a scholarship from Stanislaw Augustus and studied in Rome. From 1795 he settled in Vilnius where he became a professor and founder of the Vilnius Schoo...
Warsaw - St. John's Cathedral, Autolithography, paper 30 x 44 cm in light passe-partout, external dimensions 47 x 58 cm, signed in pencil by the author l.d. and described and dated on the plate.
dry needle, paper, 14 x 20 cm in light passe - partout; Signed on panel p.d. "Pankiewicz 1899"; later print
Color heliogravure, Arches France velin paper with high-grain watermark; 31 x 23 cm (plate imprint), framed in passe - partout 47 x 37 cm, numbered in pencil 102/300, signed from plate under composition "Renoir", publisher's dry stamp l. d. : letter K surrounded by the words "EDITION LIMITED CERTIFIED ARTS USA EUROPE SINCE 1998". Original certificate. The painting depicts a group of people fro...
25,7 x 19,5cm - pen ink, cream paper 25, 7 x 19.5 cm (in light passe-partout) Signature d.g. p.d.: A mon ami | Monjalés Lebenstein ♣ a fee will be added to the auctioned price in addition to other costs, based on the right of the artist and his heirs to receive remuneration in accordance with the Act of February 4, 1994 - on Copyright and Related Rights (droit de suite).Jan Lebenstein (Bres...
Print on canvas : 79 x 40 cm in św, frame . Signed. , date and titled: "J Fałat Nieśwież 1901", on the back a pasteboard describing the work, typewritten , date of printing 1981 , graphic description with addresses and names of the graphic studio as well as the factory of artistic frames (frames) , round stamp XX/CCL (faintly visible). Framed work: 92 x 52 cm.
Copperplate, paper, 38 x 46.5 cm; yellow spots in margins, good condition. Graphic made according to a painting by Nicolaes Berchem (1620-1683). Under the drawing a dedication to Louis Crozat Baron de Thiers (1700-1770), collector and senior officer in the army. In the year of the publication of this engraving (1742), he received a palace on the Place Vendome in Paris from his father. His wife...
Edward Dwurnik (1943 - 2018), Bridge on the Vistula and Palace of Culture from the series "Warsaw"
1 756 EUR
inkography, paper, 54 cm × 60 cm, signed at bottom in pencil, below composition, l.d.: piece designation, p.d.: artist's signature; framed print (size with frame 81 x 78 cm); publisher's certificate enclosed The Palace of Culture and Science and the bridges over the Vistula River are two distinct, characteristic elements of Warsaw's landscape that are visible in many photographs and postcards...
Color woodcut, paper, 23x34, artist's signature, publisher's mark and sculptor and printer's mark in the margin This is one of Hiroshige's most famous woodcuts from the "Tokaido" series, and is adepiction of a sudden summer downpour in Shōno, the so-called white rain, occurring in the late afternoon. The driving rain falls on travelers trying to protect themselves under coverings and umbrella...
Color woodcut, paper, 23x34 cm, artist's signature, publisher's and sculptor's and printer's markings in the margin Deep snow covers the hillside of Kanbar in the evening. The fresh flakes falling on the houses, trees and mountains create an atmosphere of peace and tranquility, which is interrupted only by the sound of the creaking footsteps of travelers. The snow is so thick that it accumulat...
Lithograph, BFK Rives handmade paper, dimensions:38 x 58 cm (composition), 55 x 75 cm (sheet), limited edition, numbered in pencil 235/300 l.d., signed by hand in pencil p.d. Publisher gilbert Hamon (no stamp). Salvador Dali's work titled "Dreams lay a hand on a man's shoulder "is one of the fascinating examples of his surrealist genius. This work, often interpreted as an allegory of the subco...
color heliogravure, heavy velin paper, 31 x 23 cm (plate imprint), framed in passe - partout, 47 x 37 cm, numbered by hand in pencil 138/300, signed from plate under the composition "Manet", dry publisher's stamp l. d.: letter K surrounded by the words "EDITION LIMITED CERTIFIED ARTS USA EUROPE SINCE 1998". Attached original publisher's certificate issued and signed by Arte K confirming the co...
graphics/paper, 42 x 30 cm, the work signed by the artist himselfposter from Zdzislaw Beksinski's 1996 exhibition at Bozena & Alicja Wahl Gallery, provenance : private collection - Warsaw
heliogravure on paper print made in the 1930s, signed and dated in print "St.W 1895 Kraków", 29.8 x 21.2 cm. in św.p-p. framed work, frame size 45.2 x 38.8 cm. Provenance: private collection Poland
![Utagawa Sadahide (1807 -1873), Tōto Nihonbashi no shōkei [Nihonbashi Bridge], 1863](https://img1.one.bid/img/8771/2639832_1w.webp)
Color woodcut, paper; overall dimensions: 365 x 485 mm; signature: Gountei Sadahide ga. Very good state of preservation. Vivid, intense colors.Originally the pieces were part of a triptych (the left board is missing for the full composition). The composition is in the collection of the Museum Of Fine Arts in Boston, among others. Utagawa Sadahide (1807-1873) disciple of Utagawa Kunisada I (178...
Color woodcut, paper; dimension: 380 x 260 mm; signature: Kōchō Kunisada ga (used 1830 - 1840) and kiwame censor stamp used until 1845. State of preservation: overstaining of upper and lower margins. Paper undercut on the back p. d. corner.Utagawa Kunisada (1786-1865) Also known as Toyokuni III - One of the most popular and prolific Japanese artists of the 19th century. Kunisada was financia...
oil on canvas, 80x80cm,signed and dated l.d., described on the back of the painting. Author's certificate attached. False tenderness In the quiet of the afternoon, as the light oozes through the rectangular window and the sea breathes heavily on the horizon, a bear cuddles a bunny. Seemingly with tenderness. Seemingly with care. But his arms are too tight, and his embrace gives no warmth - onl...
Color woodcut, paper, 23x34 cm, artist's signature, publisher's mark and sculptor and printer's mark in the margin The waters of the bay in Kanagawa, the site of what is now Yokohama, reached down to the foundations of the teahouses and inns that stood along the road. Here the houses and trees are arranged to form a large arch. Maids from the inns stop travelers, encouraging them to go inside....
Color woodcut, paper, 23x34 cm, artist's signature, publisher's mark and sculptor and printer's mark in the margin To reach Okabe Station, travelers had to cross a steep and narrow pass. The road ran through a steep valley, with the rushing Okabe River flowing beside it. This road looks dangerous because there is no fence on the river side, and when it rained the ground here became muddy and s...
copperplate, paper, 44 x 65 cm; signed p.d.: "J.Saenredam sculp." and "A.Bloemaert inv.". Pasted in the 18th century on handmade paper. Good condition. Large format print made during the late Renaissance period known as Mannerism. The artist Jan Saenredam is a famous figure of Dutch printmaking. He has his biography in Polish. The work is based on a painting by Abraham Bloemaert (1564-1651). O...
Color woodcut, paper; board dimensions: ; signed + oval stamp of the artist. Accompanying print (on protective film) corresponding art text.