Prints and Drawings auctions
Wiktoria Julia Goryńska (1902–1945) – The Infant Jesus (Christmas Greetings). 1937. Color woodcut; 7 x 4.5 (14 x 9.5 within the frame) Signed in pencil: “W. J. Goryńska 1937.” An image of the Infant Jesus as the ruler of the world, created especially for Christmas. Wiktoria Goryńska was one of the most outstanding representatives of the Warsaw school of woodcut art during the interw...
Lithograph, Arches paper, 16 x 22 cm (inside the passe-partout measuring 27 x 33 cm), an exclusive edition sponsored by Banca Popolare di Milano. Publisher: Arti Grafiche Milanesi; Printer: Atelier Fernand Mourlot. Pablo Picasso’s series titled “Luncheon on the Grass” (orig. “Le Déjeuner sur l’herbe”) is an extensive series of variations in which the Spanish master creatively enga...
![[Kraków] - “Cracovia.” M. Merian. 1638.](https://img1.one.bid/img/10184/3179562_1w.webp)
[Kraków] – “Cracovia.” M. Merian. 1638 . Copperplate engraving; 20.5 x 38.5 (pl. 34 x 41.5) A panorama of Kraków stretching from Łobzów and Kleparz, across Wawel Hill and Stradom, to Kazimierz. Major buildings are described below in the legend (46 entries); heraldic cartouches (including the Eagle and Pogoń) are depicted against the sky. The engraving is modeled after the city pano...
ink on paper, 30 x 24.5 cm; signed lower right: Mleczko; stamps affixed on the reverse: Original, medium—ink, and: Andrzej Mleczko’s Author’s Gallery.
Lithograph, paper, 22.5 x 29 cm. Set of 6 lithographic postcards, each measuring 14 x 8 cm, mounted in a single passe-partout measuring 41 x 40 cm; signed “Z.STRYJENSKA” on the plate.
woodcut, paper, 19 x 21 cm (inside the mat); Tadeusz Kulisiewicz was born in 1899 in Kalisz. He studied at the School of Decorative Arts in Poznań and continued his studies at the Academy of Fine Arts in Warsaw in the studios of M. and M. Kotarbiński and under W. Skoczylas. He made his debut at an exhibition organized by the Association of Graphic Artists. During the early years of his caree...
Lithograph, paper, 14 x 12 cm (inside the mat), outer dimensions of the mat: 22 x 20 cm. Teodor Axentowicz lithograph made in Kraków in 1904 by Władysław Teodorczuk (1872–1913), a designer of posters, book covers, illustrations, and bookplates; editor of the monthly magazine *Poradnik Graficzny*; and owner of a printing house from 1901 to 1906; Lit.: Danuta Muszanka, Karykatury Kazimierza...
color woodcut, ink on paper, 37x25 cm, signed by the artist, with the Adachi Publishing seal on the reverse This location is situated along the Kōshū Kaidō road, near the Katsura River. It offers a view of the vast plain and the mountains. The autumn landscape, dotted with wildflowers such as chrysanthemums, creates a picturesque scene. In the distance, the silhouette of Mount Fuji can be s...
etching, paper, 100 x 70 cm (framed 102.5 x 72.5 cm), signed in pencil at the bottom: '"Corpus Christi I, etching, drypoint 2/50 Wojciech Pelc 2012' In 2011, he received a degree in printmaking from the Faculty of Arts at the University of Silesia in Cieszyn, where he studied under Prof. E. Delekta. He was a graduate of the State School of Fine Arts in Krosno (2004). In his work, he drew upon...
drypoint, paper; 12 x 19.5 cm (plate impression), 14 x 21.6 cm (inside the passe-partout), 26.4 x 34.1 cm (framed); inscribed at the bottom: Royal Castle, Warsaw 22/100 drypoint by Janusz Nędzi 1990 (in pencil); signed on the plate, lower right: J. Nędzi. The work is framed.
Offset lithograph, Arches vellum paper, 19 x 25 cm (inner dimensions of the mat), mounted in a 30 x 36 cm mat; signed “Picasso” on the plate, lower right. Publisher: Editions Cercle d’art, 1966.
linocut, paper; 33 x 15 cm (inside the frame); inscribed at the bottom: Linocut “Nude” Krystyna Bieniek 58. (in pencil)
lithograph, handmade paper, 33 x 43 cm; signed lower right: facsimile of Picasso’s signature; numbered in pencil lower left: 738/1200, in the lower left corner of the paper, a head is printed based on a drawing by Picasso; on the reverse, lower right: footer: PABLO PICASSO, VOLLARD SUITE, Planche [print number in Roman numerals], Printed in an edition of 1,200 copies. All copies were numbere...
linocut, paper, 19 x 14.5 cm (inside the mat), 30 x 24.5 cm (including the mat); signed on the plate, lower right: JK Janusz Wiktor Kotarbiński (born July 30, 1890, in Gołonóg; died January 13, 1940, in Zakopane) – Polish painter, visual artist, and writer.He was born on July 30, 1890, in the village of Gołonóg (now a district of Dąbrowa Górnicza), to Apoloniusz Eustachy and Matylda n...
linocut, paper, 20 x 15 cm (inner dimensions of the mat); signed on the plate: JK. Janusz Wiktor Kotarbiński (born July 30, 1890, in Gołonóg; died January 13, 1940, in Zakopane) – Polish painter, visual artist, and writer.He was born on July 30, 1890, in the village of Gołonóg (now a district of Dąbrowa Górnicza), to Apoloniusz Eustachy and Matylda née Mętracka. He studied at the Ac...
color woodcut, ink on paper, 37x25 cm, signed by the artist, Adachi Publishing seal on the reverse, slight foxing The exact location of this scene is unknown, but it is believed to depict the road from Mishima leading through the Izu Mountains toward the Hakone Pass. A mountain stream flows between densely forested slopes, its clear water cascading downward. The path cuts through the mountains...
lithograph, handmade paper, 33 x 43 cm; signed lower right: facsimile of Picasso’s signature; numbered in pencil lower left: 738/1200, in the lower left corner of the paper, a head is printed based on a drawing by Picasso; on the reverse, lower right: footer: PABLO PICASSO, VOLLARD SUITE, Planche [print number in Roman numerals], Printed in an edition of 1,200 copies. All copies were numbere...
lithograph, handmade paper, 33 x 43 cm; signed lower right: facsimile of Picasso’s signature; numbered in pencil lower left: 738/1200, in the lower left corner of the paper, a head is printed based on a drawing by Picasso; on the reverse, lower right: footer: PABLO PICASSO, VOLLARD SUITE, Planche [print number in Roman numerals], Printed in an edition of 1,200 copies. All copies were numbere...
linocut, paper; 15 x 12.5 cm; inscribed at the bottom: Old Mill – linocut Nałęczów 82 Ryszard Baloń (in pencil).
pencil, paper; 36 x 29.5 cm; signed: T. Chełmiński (within the composition, on the right).
![[Second Polish Republic] - Political Cartoons (12 plates). S. Toegel. 1932.](https://img1.one.bid/img/10184/3178833_1w.webp)
![[Second Polish Republic] - Political Cartoons (12 plates). S. Toegel. 1932.](https://img1.one.bid/img/10184/3178833_2w.webp)
[Second Polish Republic] – Political Cartoons (12 plates). S. Toegel. 1932 . Black-and-white prints; 12 pieces, each measuring 30 x 23.5 cm (mounted by the publisher on cards measuring 42 x 31 cm) A series of caricatures of the most prominent figures in the political life of the Second Polish Republic, including: Józef Piłsudski (signed “ON”), Ignacy Daszyński, General Józef Haller, ...
Łukasz Leszczyński (b. 1981) Tower (2006), signed and dated lower right: Ł. LESZCZYŃSKI 06 silkscreen print, 20 x 6.5 cm
color woodcut, ink on paper, 37x25 cm, signed by the artist, with the Adachi Publishing seal on the reverse After passing the Uenohara post station on the Kōshū Kaidō and crossing Nojiri, one reaches the Inume Pass. The road winds through steep, rocky slopes, offering spectacular views. The clear water flowing in the Katsuragawa stream below glistens in the sun. This place perfectly capture...
![[Iłża] - “Yltze.” Based on a drawing by E. J. Dahlbergh. 1696.](https://img1.one.bid/img/10184/3178816_1w.webp)
[Iłża] – “Yltze.” Based on a drawing by E. J. Dahlbergh. 1696. Etching, hand-colored copperplate; 21 x 34 (pl. 36 x 43) A panorama of the walled city during its heyday (interrupted by the Swedish Deluge), featuring the Renaissance castle of the Bishops of Kraków on Castle Hill and Swedish troops in the foreground. The engraving was based on a drawing by Erik J. Dahlbergh (1625–1703)...
![[The 1905 Revolution] - A march of workers through the streets of Warsaw. Painted by A. Uniechowski. 1950.](https://img1.one.bid/img/10184/3178832_1w.webp)
[The 1905 Revolution] – A march of workers through the streets of Warsaw. Painted by A. Uniechowski. 1950. Drawing (ink, gouache, paper); 14.5 x 34 cm (drawing) on a 21 x 34 cm sheet Signed in ink with a distinctive monogram: “AU.” Antoni Uniechowski (1903–1976), an outstanding and highly prolific illustrator, created mainly book illustrations, including those for *Lalka* and *Emancypa...
color woodblock print, ink on paper, 37x25 cm, signed by the artist, Adachi publisher’s seal on the reverse, foxing spots The Oya-shirazu Coast in Satta, located on the western side of Suruga Bay, has already been depicted in several of Hiroshige’s other works, but this is undoubtedly his most powerful portrayal of the place and Hiroshige’s homage to Hokusai’s “The Great Wave.” In ...
watercolor, ink, pen; 23.5 x 10.5 cm (inside frame); signed lower right: illegible; inscribed at the bottom: Old Town, Warsaw
Mikołaj Radziwiłł, known as “Rudy” (1512–1584), Voivode of Trakai and Vilnius, Chancellor of Lithuania, Grand Hetman of Lithuania. 1721. Copperplate engraving; 28 x 17 (pl. 33.5 x 20.5) A bust in armor, framed in an oval, with the inscription below: “Nicolau Radzivil Hertzog zu Dubinki und Bierze...”. Surrounded by a decorative border (panoply, banners, empty cartouche). The engra...
color woodcut, ink on paper, 37x25 cm, signed by the artist, with the Adachi Publishing seal on the reverse Traveling north along the Ōshū Kaidō toward Sōka, one passes the Ayase River and reaches Koshigaya. From the southwest toward the northwest stretches the flat, table-like Kantō Plain. From here, one can see the distant mountain ranges of Tsukuba, Hakone, Chichibu, and Tanzawa. Above...
color woodcut, ink on paper, 37x25 cm, signed by the artist, with the Adachi Publishing seal on the reverse This is one of the most charming images in the entire series, combining the theme of cherry blossom viewing (hanami) with the beauty of traditional Japanese attire. The main subject of the composition is two elegantly dressed women strolling along a dike. They are dressed in intricate, d...
oil on cardboard, dimensions: 70 x 50 cm, signed J Dubrowin 2026 The work is unframed
watercolor on paper, 14 x 9 cm; (inside the frame); signed lower right: M. W. JURKIEWICZ
woodcut, paper, 16.5 x 13.5 cm (inside the passe-partout); Kazimierz Wiszniewski (b. 1894 in Warsaw, d. 1960 in Kraków) He began his studies at the Warsaw School of Fine Arts under the guidance of Ignacy Pieńkowski and Stanisław Lentz. He continued his education at Konrad Krzyżanowski’s private painting school. He completed his artistic education at the Municipal School of Decorative Art...
color woodcut, ink on paper, 37x25 cm, signed by the artist, with the Adachi Publishing seal on the reverse This print masterfully employs convergent perspective, guiding the viewer’s gaze through a narrow gorge toward a vast, mountainous horizon. The composition is framed by two steep, green mountain slopes on the left and right, which form a natural border. A winding, sandy path climbs thr...
Wiktor Podoski (1901–1970) – “Woodcut Tools” (Emblem of “Ryt”). ca. 1930 Woodcut; 5.6 x 4.3 (pl. 17.6 x 13.4) Signed in pencil: “W. Podoski.” The print depicts the printmaker’s workshop—a block of wood with the inscription “Ryt” engraved in mirror image, alongside a roller, a chisel, and a magnifying glass. Wiktor Podoski, a printmaker and art critic, was educated at th...
Lithograph, paper, 20 x 22 cm (inside the mat), 31 x 33 cm (including the mat); publisher—Banca Popolare di Milano; lithographs—Atelier Fernand Mourlot. Picasso created the series *Les Dejeuners*, consisting of approximately 50 compositions, in about a month, inspired by Manet’s famous painting *Luncheon on the Grass*.
Lithograph, paper, 20 x 22 cm (inside the mat), 31 x 33 cm (including the mat); publisher—Banca Popolare di Milano; lithographs—Atelier Fernand Mourlot. Picasso created the “Les Déjeuners” series, consisting of approximately 50 compositions, in about a month, inspired by Manet’s famous painting “Luncheon on the Grass.”
woodcut, paper, 11.5 x 10 cm each (inside the mat), 22.5 x 32.5 cm (frame, mat) Władysław Skoczylas was one of the most important artists of the interwar period in Poland. He received a broad artistic education—initially studying in Vienna, and later pursuing painting at the Academy of Fine Arts in Kraków. He gained additional knowledge in Paris, where he explored the secrets of sculpture...
Lithograph, paper, 20 x 22 cm (inside the mat), 31 x 33 cm (including the mat); publisher—Banca Popolare di Milano; lithographs—Atelier Fernand Mourlot. Picasso created the series *Les Dejeuners*, consisting of approximately 50 compositions, in about a month, inspired by Manet’s famous painting *Luncheon on the Grass*.
color woodcut, ink on paper, 37x25 cm, signed by the artist, with the Adachi Publishing seal on the reverse This area, stretching from Matsudo along the Tone River toward Kashiwa, is characterized by undulating terrain. Since the Heian period, this region has been known as a pasture for horses, and during the Edo period, it became the shogunate’s official hunting ground. Azaleas blooming in ...
![[Sarmatian Procession] - Drawing by Antoni Uniechowski.](https://img1.one.bid/img/10184/3178830_1w.webp)
[Sarmatian Procession] – Drawing by Antoni Uniechowski. Drawing (ink on laid paper); 35 x 49.8 cm Signed in ink with the characteristic monogram: “AU.” The drawing depicts a procession of figures in Polish national costumes—nobles with shaved heads, wearing kontushes and sashes, with mustaches, entering through a gate decorated with motifs characteristic of Polish Baroque art from the ...
Lithograph, paper, 12 x 13 cm (inside the mat). Michał Bylina (born January 5?/January 18, 1904, in Worsówka near Kyiv; died August 5, 1982, in Warsaw) — Polish painter, printmaker, illustrator, participant in the 1939 defensive war and the Warsaw Uprising, professor at the Academy of Fine Arts. From 1956, he was a professor at the Academy of Fine Arts in Warsaw. As an artist, he mainly pa...
pencil/paperDimensions: 15.5 x 9 cmInscribed on the reverse: 'Original sketch by Matejko. | Kraków. May 27, 1907. | Fr [illegible]'BiographyFrom 1852 to 1858, he studied at the Kraków School of Fine Arts under W. K. Stattler and W. Łuszczkiewicz. He continued his studies in Munich from 1859 to 1860 under H. Anschütz and at the Academy in Vienna under C. Ruben (1860). From 1873, he served a...
Lithograph, heavyweight Cotton Cream paper, dimensions: 44 x 46 cm (composition), 70 x 50 cm (sheet), limited edition, hand-numbered 21/350, signed on the plate, facsimile of KUPKA’s signature below the composition on the lower right, dry stamp “CMOA” (Carnegie Museum of Art) on the left, dry seal of the publisher SPADEM PARIS on the right (SPADEM is the French equivalent of ZAIKS), “v...
Limited-edition, low-numbered ink print on paper, edition no. I of XX, dimensions: 24.5 x 34.5 cm (B4) signed in pencil by the artist, “pdr OLBIŃSKI,” “ldr I/XX,” and bearing a dry studio seal featuring an eye and a swan, with the inscription “Olbiński Studio” in the border Unframed
Lithograph, Arches Velin paper; 55 x 75 cm (sheet); signed in pencil lower right “Sakti Burman”; confirmed in pencil lower left “Epruve d’artiste”; title in pencil center bottom. Publisher: Galerie Robert Doucet. The publisher and main distributor of Sakti Burman’s graphic works from this period in Europe was the Paris-based Galerie Robert Doucet, with which the artist collaborated...
copperplate engraving, paper, 18 x 24 cm (inside the mat); the print is from a portfolio published in 1856 featuring architectural landmarks from around the world
lithograph, paper; 54 x 67 cm (composition dimensions), 63 x 75 cm (sheet dimensions); inscribed at the bottom: ZAGŁADA LITHOGRAPH 1/13 H. Opałka "SKARBIEC" (in pencil).
![[Biecz] - “Biecz in Poland.” D. Meissner. First half of the 17th century.](https://img1.one.bid/img/10184/3178814_1w.webp)
![[Biecz] - “Biecz in Poland.” D. Meissner. First half of the 17th century.](https://img1.one.bid/img/10184/3178814_2w.webp)
[Biecz] – “Biecz in Poland.” D. Meissner. First half of the 17th century. Copperplate engraving; 10.5 x 15 (11.5 x 16 within the frame) A panorama of a charming town in the Lesser Poland Voivodeship, known as “Little Krakow” due to its historic monuments . The view is modeled after the panorama from the famous work by G. Braun and F. Hogenberg, *Civitates Orbis Terrarum*, featuring t...
color woodcut, ink on paper, 37x25 cm, signed by the artist, Adachi Publishing seal on the reverse, slight foxing spots The area southeast of present-day Yokohama, which now forms the Honmoku district. The villages visible in the distance are Hommoku and Tomioka, former fishing settlements. Today, the coastline has undergone drastic changes due to land reclamation and the construction of indus...
Autolithography, paper, 26 x 35 cm (inner dimensions of the passe-partout measuring 37 x 46); signed on the stone, lower right: “drawing by Sobiesław”; Produced by the Aureliusz Pruszyński Artistic Lithography Studio, Kraków. Krakow’s social and artistic life at the turn of the 19th and 20th centuries flourished, centered both in salons and at the tables of fashionable cafés. Kazimie...
color woodcut, ink on paper, 37x25 cm, signed by the artist, with the Adachi Publishing seal on the reverse The composition of this work brilliantly combines a monumental landscape with the intimate theme of travel. The central and left portions of the frame are occupied by the calm, bright surface of Lake Kawaguchi. Above it, in the upper left corner, rises the mighty, snow-capped Mount Fuji....
watercolor, pencil, cardboard; 97 x 122 cm; signed and dated in pencil lower right: Budziszewski 95.
![[Kraków - Kazimierz] - “Casmirus.” H. Schedel. 1493.](https://img1.one.bid/img/10184/3178817_1w.webp)
[Kraków – Kazimierz] – “Casmirus.” H. Schedel. 1493. Woodcut; 25 x 26 (pl. 40 x 27.5) A view of Kraków’s Kazimierz district, which was a separate town from the 14th century until the early 19th century and was inhabited by Jews from the 15th century onward. A fantastical view, yet close to the actual layout (the city surrounded by defensive walls and bordered by two branches of the...
Zofia Stryjeńska – A Peasant from Silesia Hand-colored gouache drawing on paper Dimensions: 50 × 40 cm (sheet) signed lower right: ‘Z. STRYJEŃSKA’ The work is from the portfolio: “Z. Stryjeńska, Polish Peasants’ Costumes. With an introduction and notes by Thadee Seweryn, Curator of the Ethnographical Museum in Kraków, Nice 1939. Published by C. Szwedzicki” (on the reverse)The ...
mixed media, pigment print, gouache, paper; 36 x 26.5 cm (inside the mat), 45 x 34.5 cm (framed); signed and dated lower right: E. Dudek 2004 The work is framed.
color woodcut, ink on paper, 37x25 cm, signed by the artist, with the Adachi Publishing seal on the reverse This composition masterfully juxtaposes the power of the sea with the calm of the travelers and the majesty of a distant volcano. The lower left portion of the frame is dominated by massive, foaming waves crashing against the rocky shore. On a sandy stretch of the beach, a lone traveler ...
gouache, ink/paperDimensions: 32 x 69 cmsigned and dated lower right: 'Henryk Dąbrowski 1970'BiographyArchitect and painter. After World War II, he studied architecture at the Warsaw University of Technology. He was a student of Jan Koszyc Witkiewicz. He participated in design projects for Warsaw’s Muranów district. A master of drawing, co-founder of the Warsaw School of Drawing, and an ou...
etching, aquatint, paper, 39 x 29 cm (plate impression), 56.5 x 41 cm (inside frame); inscribed at the bottom: THE DROP OF ELIXIR etching aquatint I 3/25 A. Juch. 1985 (in pencil). The work is mounted.
etching, aquatint, paper, 38.5 x 29 cm (plate impression); 57 x 41 cm (inside frame); inscribed at the bottom: Ścigany, etching and aquatint, 13/25, A. Juch (in pencil). The work is mounted.
mixed media, pigment print, gouache, pen, paper; 36 cm x 25.5 (inside the mat), 45 x 34.5 cm (framed); signed and dated lower right: E. Dudek 2004 The work is framed.
Mixed media, pigment print, gouache, pen, 36 cm x 26.5 cm (inside the mat), 45 x 34.5 cm (framed); signed and dated lower right: E. Dudek 2004 The work is framed.
LANDSCAPE XII, 1993Color etching on paper; 23 x 30.5 cm (inside dimensions) Signed in pencil beneath the print: Landscape XII – etching by Krzysztof Wieczorek, 199 [year] Starting price 150 Estimate 400–500 ◙ droit de suite—ask about this item