steel, wood, polyester, acrylic; 159 x 45 x 55 cm; In “21 Grams of Comfort,” the classic casting process is redefined by shifting the focus from the act of creation itself to the moment of destruction. In traditional sculpture, the negative mold is merely a temporary tool, a necessary phantom that, once it has fulfilled its role, is brutally shattered and discarded. It is precisely this ph...